[1]

A 250-page publication released in September 2024 that complements the UCLA Art|Sci’s PST ART exhibition of the same name. Designed at Becca Lofchie Studio in partnership with the UCLA Art|Sci’s in-house design team. read more

[scope]publication design

Not too Hot, Better than Orange

[2]

Record packaging design for the electronic music group Tangerine Tango’s debut album, emphasizing materiality and layering to create a tactile and interactive experience.

[scope]art direction
photography
packaging design

Faketastic Faketopia

[3]

A concept-themed music festival in which the brand identity analyzes the idea of fakeness in a social context, building an uncanny valley with eerie color & typographic palettes.
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[scope]branding

CalArts Graphic Design 2024

[4]

Award-winning website for the 2024 CalArts Graphic Design program. As a small group of seven, we built the site from scratch: from creative direction to design to coding.
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[scope]responsive web design
creative direction
UI/UX
coding

Material Acts

[5]

Catalog and brochure that accompany Craft Contemporary’s 2024 PST exhibition, Material Acts: Experimentation in Architecture and Design. Designed at Becca Lofchie Studio.
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[scope]publication design

FZZLE Magazine

[6]

An independent magazine that creates a platform showcasing emerging creatives while transcending mainstream boundaries. For every issue, the spotlight-featured creative will create a logo based on the OG logo skeleton, creating a structured yet dynamic branding.
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[scope]branding

Glint

[7]

Glint is an online journal featuring in-depth interviews with creatives—from designers to artists—offering quality insights paired with thoughtful design.read more

[scope]responsive web design
UI/UX
coding

Dallas, 2019

[8]

Title sequence, in-film texts, and end credits for the documentary Dallas, 2019, for both streaming platforms and various film festival screenings. Designed at Becca Lofchie Studio with the creative director Sean Donnelly.
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[scope]film title design
credits layout

Ingrid Yu-Ju Tai

Ingrid Yu-Ju Tai